![]() ![]() Schifrin had his first Hollywood film assignment with “Rhino!” in 1963. In 1960, Dizzy Gillespie tapped the young man to play in his NYC-based quintet. Schifrin went on to study at the Paris Conservatory before returning to Argentina to form his own jazz orchestra. He’d sit with his collection of Charlie Parker tunes and “copy and learn from the records.” Glen Campbell (from left), Bobbie Gentry and Lalo Schifrin at the 1968 Grammy Awards. Even in the summer, I had to put on an overcoat and put the records under the belly and covered them with my belt.” Juan Perón, then president of Argentina, forbade the import of American records, but a young Schifrin, whose interest in jazz was growing, befriended an American merchant marine who snuck in records for the musician. I grew up in a classical music family,” he says. Schifrin’s path to becoming one of the most-sought-after composers in Hollywood started in Argentina, where he grew up with his mother and late father, concertmaster of the Philharmonic Orchestra of Buenos Aires. I want it to be identifiable, recognizable and a signature.’ And this is what I did.” “Bruce Geller, who was the producer of the series, put together the pilot and came to me and said, ‘I want you to write something exciting, something that when people are in the living room and go into the kitchen to have a soft drink, and they hear it, they will know what it is. The fifth installment of the “Mission: Impossible” film franchise is now in theaters, and Schifrin’s score is as integral to the flicks as Tom Cruise’s arsenal of shades. ![]() my European agent called me and said, ‘What are you trying to do?!’ ” “The lady believed it,” says Schifrin with a laugh, “and all the magazines in Vienna published it. The people in outer space have five legs and couldn’t dance to our music, so I wrote this for them.’ ” I said, ‘Everybody knows that there have been beams from outer space coming because of interplanetary flights. “I was in Vienna and at a press conference and one lady asked me why I wrote ‘Mission: Impossible’ in 5/4. And that’s the way it came.”īut Schifrin, now 83 and living in Groucho Marx’s former Beverly Hills home, spun a different tale while touring in Europe in the late 1960s. When you write a letter, you don’t have to think what grammar or what syntaxes you’re going to use, you just write a letter. “Orchestration’s not the problem for me,” he says. ![]() It took Lalo Schifrin all of three minutes to write his famed theme - set to an unusual 5/4 time signature - for the TV series “Mission: Impossible.” ![]()
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